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Been writing something and was wondering how I should notate these measures to ensure readability.
These three ideas are floating around in my head but if anyone else has input please send it my way.
piano notation sheet-music sight-reading clefs
New contributor
add a comment |
Been writing something and was wondering how I should notate these measures to ensure readability.
These three ideas are floating around in my head but if anyone else has input please send it my way.
piano notation sheet-music sight-reading clefs
New contributor
Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.
– Javier
3 hours ago
I need to ask: how did you come up with the first one?
– Pierre Arlaud
1 hour ago
add a comment |
Been writing something and was wondering how I should notate these measures to ensure readability.
These three ideas are floating around in my head but if anyone else has input please send it my way.
piano notation sheet-music sight-reading clefs
New contributor
Been writing something and was wondering how I should notate these measures to ensure readability.
These three ideas are floating around in my head but if anyone else has input please send it my way.
piano notation sheet-music sight-reading clefs
piano notation sheet-music sight-reading clefs
New contributor
New contributor
edited 23 hours ago
Connor Sannipoli
New contributor
asked 23 hours ago
Connor SannipoliConnor Sannipoli
282 bronze badges
282 bronze badges
New contributor
New contributor
Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.
– Javier
3 hours ago
I need to ask: how did you come up with the first one?
– Pierre Arlaud
1 hour ago
add a comment |
Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.
– Javier
3 hours ago
I need to ask: how did you come up with the first one?
– Pierre Arlaud
1 hour ago
Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.
– Javier
3 hours ago
Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.
– Javier
3 hours ago
I need to ask: how did you come up with the first one?
– Pierre Arlaud
1 hour ago
I need to ask: how did you come up with the first one?
– Pierre Arlaud
1 hour ago
add a comment |
3 Answers
3
active
oldest
votes
Certainly not the first. The second is unobjectionable. But why not the third? It's the standard notation, and is just fine.
Fair point. I suppose there really aren't that many ledger lines now that I think about it.
– Connor Sannipoli
20 hours ago
@ConnorSannipoli No worse than the second option.
– Chipster
15 hours ago
add a comment |
I'd go with the second or the third, depending on the clef that you need before and after this passage.
The first one feels more uncomfortable that the others.
Did you mean "second or the third"?
– Richard
23 hours ago
I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.
– Connor Sannipoli
20 hours ago
Right, that was a typo.
– 89f3a1c
19 hours ago
add a comment |
I'd guess you're trying to improve readability by reducing the use of ledger lines? below or above? The thing is, the piano is an instrument which is notable for it's range (on paper, a wider range of pitches than a standard orchestra). So pianists have to handle these a lot, and most will be used to reading off either end of the score (depending on their level of ability).
I'd usually consider using 8va marks or changing clef if...
- The entire passage is outside of the clef.
- It's a repetition of a previous passage, moved up or down by an octave (I.E. so the score looks the same with the octave shift).
- You've having to space the staves further apart to fit the stray notes in.
- The pianist needs to literally sit in a different place to play the piece.
These are just guidelines, anyway. There's a judgement call to be made here.
Also worth considering, if your player is uncomfortable with this, you could try inverting the two notes in the right hand. With the repeating F at the bottom and the moving line played above it. (This would have the dual effect of making the moving notes act as the main melody. Which is probably better if it's a solo piano piece, but might steal attention if there's also a melodic instrument playing).
add a comment |
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3 Answers
3
active
oldest
votes
3 Answers
3
active
oldest
votes
active
oldest
votes
active
oldest
votes
Certainly not the first. The second is unobjectionable. But why not the third? It's the standard notation, and is just fine.
Fair point. I suppose there really aren't that many ledger lines now that I think about it.
– Connor Sannipoli
20 hours ago
@ConnorSannipoli No worse than the second option.
– Chipster
15 hours ago
add a comment |
Certainly not the first. The second is unobjectionable. But why not the third? It's the standard notation, and is just fine.
Fair point. I suppose there really aren't that many ledger lines now that I think about it.
– Connor Sannipoli
20 hours ago
@ConnorSannipoli No worse than the second option.
– Chipster
15 hours ago
add a comment |
Certainly not the first. The second is unobjectionable. But why not the third? It's the standard notation, and is just fine.
Certainly not the first. The second is unobjectionable. But why not the third? It's the standard notation, and is just fine.
answered 22 hours ago
Laurence PayneLaurence Payne
42.5k24 silver badges84 bronze badges
42.5k24 silver badges84 bronze badges
Fair point. I suppose there really aren't that many ledger lines now that I think about it.
– Connor Sannipoli
20 hours ago
@ConnorSannipoli No worse than the second option.
– Chipster
15 hours ago
add a comment |
Fair point. I suppose there really aren't that many ledger lines now that I think about it.
– Connor Sannipoli
20 hours ago
@ConnorSannipoli No worse than the second option.
– Chipster
15 hours ago
Fair point. I suppose there really aren't that many ledger lines now that I think about it.
– Connor Sannipoli
20 hours ago
Fair point. I suppose there really aren't that many ledger lines now that I think about it.
– Connor Sannipoli
20 hours ago
@ConnorSannipoli No worse than the second option.
– Chipster
15 hours ago
@ConnorSannipoli No worse than the second option.
– Chipster
15 hours ago
add a comment |
I'd go with the second or the third, depending on the clef that you need before and after this passage.
The first one feels more uncomfortable that the others.
Did you mean "second or the third"?
– Richard
23 hours ago
I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.
– Connor Sannipoli
20 hours ago
Right, that was a typo.
– 89f3a1c
19 hours ago
add a comment |
I'd go with the second or the third, depending on the clef that you need before and after this passage.
The first one feels more uncomfortable that the others.
Did you mean "second or the third"?
– Richard
23 hours ago
I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.
– Connor Sannipoli
20 hours ago
Right, that was a typo.
– 89f3a1c
19 hours ago
add a comment |
I'd go with the second or the third, depending on the clef that you need before and after this passage.
The first one feels more uncomfortable that the others.
I'd go with the second or the third, depending on the clef that you need before and after this passage.
The first one feels more uncomfortable that the others.
edited 19 hours ago
answered 23 hours ago
89f3a1c89f3a1c
3711 silver badge7 bronze badges
3711 silver badge7 bronze badges
Did you mean "second or the third"?
– Richard
23 hours ago
I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.
– Connor Sannipoli
20 hours ago
Right, that was a typo.
– 89f3a1c
19 hours ago
add a comment |
Did you mean "second or the third"?
– Richard
23 hours ago
I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.
– Connor Sannipoli
20 hours ago
Right, that was a typo.
– 89f3a1c
19 hours ago
Did you mean "second or the third"?
– Richard
23 hours ago
Did you mean "second or the third"?
– Richard
23 hours ago
I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.
– Connor Sannipoli
20 hours ago
I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.
– Connor Sannipoli
20 hours ago
Right, that was a typo.
– 89f3a1c
19 hours ago
Right, that was a typo.
– 89f3a1c
19 hours ago
add a comment |
I'd guess you're trying to improve readability by reducing the use of ledger lines? below or above? The thing is, the piano is an instrument which is notable for it's range (on paper, a wider range of pitches than a standard orchestra). So pianists have to handle these a lot, and most will be used to reading off either end of the score (depending on their level of ability).
I'd usually consider using 8va marks or changing clef if...
- The entire passage is outside of the clef.
- It's a repetition of a previous passage, moved up or down by an octave (I.E. so the score looks the same with the octave shift).
- You've having to space the staves further apart to fit the stray notes in.
- The pianist needs to literally sit in a different place to play the piece.
These are just guidelines, anyway. There's a judgement call to be made here.
Also worth considering, if your player is uncomfortable with this, you could try inverting the two notes in the right hand. With the repeating F at the bottom and the moving line played above it. (This would have the dual effect of making the moving notes act as the main melody. Which is probably better if it's a solo piano piece, but might steal attention if there's also a melodic instrument playing).
add a comment |
I'd guess you're trying to improve readability by reducing the use of ledger lines? below or above? The thing is, the piano is an instrument which is notable for it's range (on paper, a wider range of pitches than a standard orchestra). So pianists have to handle these a lot, and most will be used to reading off either end of the score (depending on their level of ability).
I'd usually consider using 8va marks or changing clef if...
- The entire passage is outside of the clef.
- It's a repetition of a previous passage, moved up or down by an octave (I.E. so the score looks the same with the octave shift).
- You've having to space the staves further apart to fit the stray notes in.
- The pianist needs to literally sit in a different place to play the piece.
These are just guidelines, anyway. There's a judgement call to be made here.
Also worth considering, if your player is uncomfortable with this, you could try inverting the two notes in the right hand. With the repeating F at the bottom and the moving line played above it. (This would have the dual effect of making the moving notes act as the main melody. Which is probably better if it's a solo piano piece, but might steal attention if there's also a melodic instrument playing).
add a comment |
I'd guess you're trying to improve readability by reducing the use of ledger lines? below or above? The thing is, the piano is an instrument which is notable for it's range (on paper, a wider range of pitches than a standard orchestra). So pianists have to handle these a lot, and most will be used to reading off either end of the score (depending on their level of ability).
I'd usually consider using 8va marks or changing clef if...
- The entire passage is outside of the clef.
- It's a repetition of a previous passage, moved up or down by an octave (I.E. so the score looks the same with the octave shift).
- You've having to space the staves further apart to fit the stray notes in.
- The pianist needs to literally sit in a different place to play the piece.
These are just guidelines, anyway. There's a judgement call to be made here.
Also worth considering, if your player is uncomfortable with this, you could try inverting the two notes in the right hand. With the repeating F at the bottom and the moving line played above it. (This would have the dual effect of making the moving notes act as the main melody. Which is probably better if it's a solo piano piece, but might steal attention if there's also a melodic instrument playing).
I'd guess you're trying to improve readability by reducing the use of ledger lines? below or above? The thing is, the piano is an instrument which is notable for it's range (on paper, a wider range of pitches than a standard orchestra). So pianists have to handle these a lot, and most will be used to reading off either end of the score (depending on their level of ability).
I'd usually consider using 8va marks or changing clef if...
- The entire passage is outside of the clef.
- It's a repetition of a previous passage, moved up or down by an octave (I.E. so the score looks the same with the octave shift).
- You've having to space the staves further apart to fit the stray notes in.
- The pianist needs to literally sit in a different place to play the piece.
These are just guidelines, anyway. There's a judgement call to be made here.
Also worth considering, if your player is uncomfortable with this, you could try inverting the two notes in the right hand. With the repeating F at the bottom and the moving line played above it. (This would have the dual effect of making the moving notes act as the main melody. Which is probably better if it's a solo piano piece, but might steal attention if there's also a melodic instrument playing).
answered 8 hours ago
AJFaradayAJFaraday
1,7478 silver badges20 bronze badges
1,7478 silver badges20 bronze badges
add a comment |
add a comment |
Connor Sannipoli is a new contributor. Be nice, and check out our Code of Conduct.
Connor Sannipoli is a new contributor. Be nice, and check out our Code of Conduct.
Connor Sannipoli is a new contributor. Be nice, and check out our Code of Conduct.
Connor Sannipoli is a new contributor. Be nice, and check out our Code of Conduct.
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Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.
– Javier
3 hours ago
I need to ask: how did you come up with the first one?
– Pierre Arlaud
1 hour ago