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How should I write this passage to make it the most readable?


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Been writing something and was wondering how I should notate these measures to ensure readability.



These three ideas are floating around in my head but if anyone else has input please send it my way.



fclefottavafclefgclef










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  • Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.

    – Javier
    3 hours ago











  • I need to ask: how did you come up with the first one?

    – Pierre Arlaud
    1 hour ago


















5















Been writing something and was wondering how I should notate these measures to ensure readability.



These three ideas are floating around in my head but if anyone else has input please send it my way.



fclefottavafclefgclef










share|improve this question









New contributor



Connor Sannipoli is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.






















  • Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.

    – Javier
    3 hours ago











  • I need to ask: how did you come up with the first one?

    – Pierre Arlaud
    1 hour ago














5












5








5


0






Been writing something and was wondering how I should notate these measures to ensure readability.



These three ideas are floating around in my head but if anyone else has input please send it my way.



fclefottavafclefgclef










share|improve this question









New contributor



Connor Sannipoli is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.











Been writing something and was wondering how I should notate these measures to ensure readability.



These three ideas are floating around in my head but if anyone else has input please send it my way.



fclefottavafclefgclef







piano notation sheet-music sight-reading clefs






share|improve this question









New contributor



Connor Sannipoli is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.










share|improve this question









New contributor



Connor Sannipoli is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.








share|improve this question




share|improve this question








edited 23 hours ago







Connor Sannipoli













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Connor Sannipoli is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.








asked 23 hours ago









Connor SannipoliConnor Sannipoli

282 bronze badges




282 bronze badges




New contributor



Connor Sannipoli is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.




New contributor




Connor Sannipoli is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.


















  • Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.

    – Javier
    3 hours ago











  • I need to ask: how did you come up with the first one?

    – Pierre Arlaud
    1 hour ago



















  • Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.

    – Javier
    3 hours ago











  • I need to ask: how did you come up with the first one?

    – Pierre Arlaud
    1 hour ago

















Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.

– Javier
3 hours ago





Ledger lines are usually not a problem if one of the notes is on the staff, as long as the intervals are not too big. For example, in the first measure I can tell at a glance that the interval is a fifth, so I only need to look at the upper note to know what to play. I don't need to count ledger lines.

– Javier
3 hours ago













I need to ask: how did you come up with the first one?

– Pierre Arlaud
1 hour ago





I need to ask: how did you come up with the first one?

– Pierre Arlaud
1 hour ago










3 Answers
3






active

oldest

votes


















17














Certainly not the first. The second is unobjectionable. But why not the third? It's the standard notation, and is just fine.






share|improve this answer


























  • Fair point. I suppose there really aren't that many ledger lines now that I think about it.

    – Connor Sannipoli
    20 hours ago











  • @ConnorSannipoli No worse than the second option.

    – Chipster
    15 hours ago



















7














I'd go with the second or the third, depending on the clef that you need before and after this passage.



The first one feels more uncomfortable that the others.






share|improve this answer




























  • Did you mean "second or the third"?

    – Richard
    23 hours ago











  • I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.

    – Connor Sannipoli
    20 hours ago











  • Right, that was a typo.

    – 89f3a1c
    19 hours ago



















3














I'd guess you're trying to improve readability by reducing the use of ledger lines? below or above? The thing is, the piano is an instrument which is notable for it's range (on paper, a wider range of pitches than a standard orchestra). So pianists have to handle these a lot, and most will be used to reading off either end of the score (depending on their level of ability).



I'd usually consider using 8va marks or changing clef if...




  • The entire passage is outside of the clef.

  • It's a repetition of a previous passage, moved up or down by an octave (I.E. so the score looks the same with the octave shift).

  • You've having to space the staves further apart to fit the stray notes in.

  • The pianist needs to literally sit in a different place to play the piece.


These are just guidelines, anyway. There's a judgement call to be made here.





Also worth considering, if your player is uncomfortable with this, you could try inverting the two notes in the right hand. With the repeating F at the bottom and the moving line played above it. (This would have the dual effect of making the moving notes act as the main melody. Which is probably better if it's a solo piano piece, but might steal attention if there's also a melodic instrument playing).






share|improve this answer




























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    3 Answers
    3






    active

    oldest

    votes








    3 Answers
    3






    active

    oldest

    votes









    active

    oldest

    votes






    active

    oldest

    votes









    17














    Certainly not the first. The second is unobjectionable. But why not the third? It's the standard notation, and is just fine.






    share|improve this answer


























    • Fair point. I suppose there really aren't that many ledger lines now that I think about it.

      – Connor Sannipoli
      20 hours ago











    • @ConnorSannipoli No worse than the second option.

      – Chipster
      15 hours ago
















    17














    Certainly not the first. The second is unobjectionable. But why not the third? It's the standard notation, and is just fine.






    share|improve this answer


























    • Fair point. I suppose there really aren't that many ledger lines now that I think about it.

      – Connor Sannipoli
      20 hours ago











    • @ConnorSannipoli No worse than the second option.

      – Chipster
      15 hours ago














    17












    17








    17







    Certainly not the first. The second is unobjectionable. But why not the third? It's the standard notation, and is just fine.






    share|improve this answer













    Certainly not the first. The second is unobjectionable. But why not the third? It's the standard notation, and is just fine.







    share|improve this answer












    share|improve this answer



    share|improve this answer










    answered 22 hours ago









    Laurence PayneLaurence Payne

    42.5k24 silver badges84 bronze badges




    42.5k24 silver badges84 bronze badges
















    • Fair point. I suppose there really aren't that many ledger lines now that I think about it.

      – Connor Sannipoli
      20 hours ago











    • @ConnorSannipoli No worse than the second option.

      – Chipster
      15 hours ago



















    • Fair point. I suppose there really aren't that many ledger lines now that I think about it.

      – Connor Sannipoli
      20 hours ago











    • @ConnorSannipoli No worse than the second option.

      – Chipster
      15 hours ago

















    Fair point. I suppose there really aren't that many ledger lines now that I think about it.

    – Connor Sannipoli
    20 hours ago





    Fair point. I suppose there really aren't that many ledger lines now that I think about it.

    – Connor Sannipoli
    20 hours ago













    @ConnorSannipoli No worse than the second option.

    – Chipster
    15 hours ago





    @ConnorSannipoli No worse than the second option.

    – Chipster
    15 hours ago













    7














    I'd go with the second or the third, depending on the clef that you need before and after this passage.



    The first one feels more uncomfortable that the others.






    share|improve this answer




























    • Did you mean "second or the third"?

      – Richard
      23 hours ago











    • I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.

      – Connor Sannipoli
      20 hours ago











    • Right, that was a typo.

      – 89f3a1c
      19 hours ago
















    7














    I'd go with the second or the third, depending on the clef that you need before and after this passage.



    The first one feels more uncomfortable that the others.






    share|improve this answer




























    • Did you mean "second or the third"?

      – Richard
      23 hours ago











    • I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.

      – Connor Sannipoli
      20 hours ago











    • Right, that was a typo.

      – 89f3a1c
      19 hours ago














    7












    7








    7







    I'd go with the second or the third, depending on the clef that you need before and after this passage.



    The first one feels more uncomfortable that the others.






    share|improve this answer















    I'd go with the second or the third, depending on the clef that you need before and after this passage.



    The first one feels more uncomfortable that the others.







    share|improve this answer














    share|improve this answer



    share|improve this answer








    edited 19 hours ago

























    answered 23 hours ago









    89f3a1c89f3a1c

    3711 silver badge7 bronze badges




    3711 silver badge7 bronze badges
















    • Did you mean "second or the third"?

      – Richard
      23 hours ago











    • I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.

      – Connor Sannipoli
      20 hours ago











    • Right, that was a typo.

      – 89f3a1c
      19 hours ago



















    • Did you mean "second or the third"?

      – Richard
      23 hours ago











    • I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.

      – Connor Sannipoli
      20 hours ago











    • Right, that was a typo.

      – 89f3a1c
      19 hours ago

















    Did you mean "second or the third"?

    – Richard
    23 hours ago





    Did you mean "second or the third"?

    – Richard
    23 hours ago













    I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.

    – Connor Sannipoli
    20 hours ago





    I believe OP did mean 2nd or 3rd. These are the opening measures and they lead into a passage with standard treble and bass clefs. I will press on with number three.

    – Connor Sannipoli
    20 hours ago













    Right, that was a typo.

    – 89f3a1c
    19 hours ago





    Right, that was a typo.

    – 89f3a1c
    19 hours ago











    3














    I'd guess you're trying to improve readability by reducing the use of ledger lines? below or above? The thing is, the piano is an instrument which is notable for it's range (on paper, a wider range of pitches than a standard orchestra). So pianists have to handle these a lot, and most will be used to reading off either end of the score (depending on their level of ability).



    I'd usually consider using 8va marks or changing clef if...




    • The entire passage is outside of the clef.

    • It's a repetition of a previous passage, moved up or down by an octave (I.E. so the score looks the same with the octave shift).

    • You've having to space the staves further apart to fit the stray notes in.

    • The pianist needs to literally sit in a different place to play the piece.


    These are just guidelines, anyway. There's a judgement call to be made here.





    Also worth considering, if your player is uncomfortable with this, you could try inverting the two notes in the right hand. With the repeating F at the bottom and the moving line played above it. (This would have the dual effect of making the moving notes act as the main melody. Which is probably better if it's a solo piano piece, but might steal attention if there's also a melodic instrument playing).






    share|improve this answer






























      3














      I'd guess you're trying to improve readability by reducing the use of ledger lines? below or above? The thing is, the piano is an instrument which is notable for it's range (on paper, a wider range of pitches than a standard orchestra). So pianists have to handle these a lot, and most will be used to reading off either end of the score (depending on their level of ability).



      I'd usually consider using 8va marks or changing clef if...




      • The entire passage is outside of the clef.

      • It's a repetition of a previous passage, moved up or down by an octave (I.E. so the score looks the same with the octave shift).

      • You've having to space the staves further apart to fit the stray notes in.

      • The pianist needs to literally sit in a different place to play the piece.


      These are just guidelines, anyway. There's a judgement call to be made here.





      Also worth considering, if your player is uncomfortable with this, you could try inverting the two notes in the right hand. With the repeating F at the bottom and the moving line played above it. (This would have the dual effect of making the moving notes act as the main melody. Which is probably better if it's a solo piano piece, but might steal attention if there's also a melodic instrument playing).






      share|improve this answer




























        3












        3








        3







        I'd guess you're trying to improve readability by reducing the use of ledger lines? below or above? The thing is, the piano is an instrument which is notable for it's range (on paper, a wider range of pitches than a standard orchestra). So pianists have to handle these a lot, and most will be used to reading off either end of the score (depending on their level of ability).



        I'd usually consider using 8va marks or changing clef if...




        • The entire passage is outside of the clef.

        • It's a repetition of a previous passage, moved up or down by an octave (I.E. so the score looks the same with the octave shift).

        • You've having to space the staves further apart to fit the stray notes in.

        • The pianist needs to literally sit in a different place to play the piece.


        These are just guidelines, anyway. There's a judgement call to be made here.





        Also worth considering, if your player is uncomfortable with this, you could try inverting the two notes in the right hand. With the repeating F at the bottom and the moving line played above it. (This would have the dual effect of making the moving notes act as the main melody. Which is probably better if it's a solo piano piece, but might steal attention if there's also a melodic instrument playing).






        share|improve this answer













        I'd guess you're trying to improve readability by reducing the use of ledger lines? below or above? The thing is, the piano is an instrument which is notable for it's range (on paper, a wider range of pitches than a standard orchestra). So pianists have to handle these a lot, and most will be used to reading off either end of the score (depending on their level of ability).



        I'd usually consider using 8va marks or changing clef if...




        • The entire passage is outside of the clef.

        • It's a repetition of a previous passage, moved up or down by an octave (I.E. so the score looks the same with the octave shift).

        • You've having to space the staves further apart to fit the stray notes in.

        • The pianist needs to literally sit in a different place to play the piece.


        These are just guidelines, anyway. There's a judgement call to be made here.





        Also worth considering, if your player is uncomfortable with this, you could try inverting the two notes in the right hand. With the repeating F at the bottom and the moving line played above it. (This would have the dual effect of making the moving notes act as the main melody. Which is probably better if it's a solo piano piece, but might steal attention if there's also a melodic instrument playing).







        share|improve this answer












        share|improve this answer



        share|improve this answer










        answered 8 hours ago









        AJFaradayAJFaraday

        1,7478 silver badges20 bronze badges




        1,7478 silver badges20 bronze badges

























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